A room is a decision about how you want to be tired at the end of the day.

I live in forty-eight square metres in Tokyo with one good chair and far too many bowls, so I have had to mean that. I trained as an architect and left to write, which my teachers took badly. Uchi (内) means inside, and it means home: the room you come back to. The palette comes after the tiredness. So does the name on the lamp.

This is where I keep what the world's rooms are doing. More than a hundred sources, read in Japanese, Korean, Chinese, Thai, Vietnamese, Italian, French, German, Spanish, Portuguese and English: an apartment in Seoul, a house outside Taipei, a Copenhagen showroom seen from here rather than from Denmark. East first, because east is where I am sitting.

Each story is a headline, an excerpt of a few lines, one photograph and a link to whoever did the work. We never reprint the piece, and the photograph belongs to the person who took it. When a room was written up in Korean or Italian it stays in Korean or Italian here; the link takes you to the writer's own words.

I am not trying to be complete. I am trying to notice.

— Mio Tachibana, Tokyo

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ArchDaily ChinaChina

悉尼帕拉马塔动力博物馆将于2026年11月7日开馆

11.06

由法日建筑事务所 Moreau Kusunoki 设计、澳大利亚 Genton 建筑事务所担任本地合作建筑师的帕拉马塔动力博物馆（Powerhouse Parramatta），据新南威尔士州政府称，是自悉尼歌剧院以来澳大利亚最大规模的文化基础设施项目。该项目于2019年首次公布，2022年动工，最初计划于2025年开放。

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悉尼帕拉马塔动力博物馆将于2026年11月7日开馆

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