A room is a decision about how you want to be tired at the end of the day.

I live in forty-eight square metres in Tokyo with one good chair and far too many bowls, so I have had to mean that. I trained as an architect and left to write, which my teachers took badly. Uchi (内) means inside, and it means home: the room you come back to. The palette comes after the tiredness. So does the name on the lamp.

This is where I keep what the world's rooms are doing. Around seventy sources, read in Japanese, Korean, Chinese, Vietnamese, Italian, French and English: an apartment in Seoul, a house outside Taipei, a Copenhagen showroom seen from here rather than from Denmark. East first, because east is where I am sitting.

Each story is a headline, an excerpt of a few lines, one photograph and a link to whoever did the work. We never reprint the piece, and the photograph belongs to the person who took it. When a room was written up in Korean or Italian it stays in Korean or Italian here; the link takes you to the writer's own words.

I am not trying to be complete. I am trying to notice.

— Mio Tachibana, Tokyo

← Uchi Archive

ArchDaily ChinaChina

第76届日本全国植树祭御立所展亭 / 矢野青山建筑设计

October 9

自 1950 年以来，日本每年都会建造一座临时性的国家级建筑，用以举办全国植树节（National Tree-Planting Festival）——这是一项旨在倡导森林保护的重要盛事，但在日本本土以外鲜为人知。作为活动的核心，御野立所（Onodatesho，即天皇和皇后出席仪式时所使用的礼仪亭）通常在庆典结束后不久便会被拆除。

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第76届日本全国植树祭御立所展亭 / 矢野青山建筑设计

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