A room is a decision about how you want to be tired at the end of the day.

I live in forty-eight square metres in Tokyo with one good chair and far too many bowls, so I have had to mean that. I trained as an architect and left to write, which my teachers took badly. Uchi (内) means inside, and it means home: the room you come back to. The palette comes after the tiredness. So does the name on the lamp.

This is where I keep what the world's rooms are doing. Around seventy sources, read in Japanese, Korean, Chinese, Vietnamese, Italian, French and English: an apartment in Seoul, a house outside Taipei, a Copenhagen showroom seen from here rather than from Denmark. East first, because east is where I am sitting.

Each story is a headline, an excerpt of a few lines, one photograph and a link to whoever did the work. We never reprint the piece, and the photograph belongs to the person who took it. When a room was written up in Korean or Italian it stays in Korean or Italian here; the link takes you to the writer's own words.

I am not trying to be complete. I am trying to notice.

— Mio Tachibana, Tokyo

← Uchi Archive

ArchDaily ChinaChina

Grande Nef 场馆改造 / Chatillon Architectes

10.27

Grande Nef 场馆拥有壮观的抛物线形屋顶和引人注目的半透明侧面板，由阿纳托尔·科普 (Anatole Kopp)、吕西安·梅特里奇 (Lucien Metrich) 和皮埃尔·查扎诺夫 (Pierre Chazanoff) 于 1971 年设计，但因老化和无障碍通行问题于 2018 年关闭。

Renovation & reuse

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Grande Nef 场馆改造 / Chatillon Architectes

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