A room is a decision about how you want to be tired at the end of the day.

I live in forty-eight square metres in Tokyo with one good chair and far too many bowls, so I have had to mean that. I trained as an architect and left to write, which my teachers took badly. Uchi (内) means inside, and it means home: the room you come back to. The palette comes after the tiredness. So does the name on the lamp.

This is where I keep what the world's rooms are doing. Around seventy sources, read in Japanese, Korean, Chinese, Vietnamese, Italian, French and English: an apartment in Seoul, a house outside Taipei, a Copenhagen showroom seen from here rather than from Denmark. East first, because east is where I am sitting.

Each story is a headline, an excerpt of a few lines, one photograph and a link to whoever did the work. We never reprint the piece, and the photograph belongs to the person who took it. When a room was written up in Korean or Italian it stays in Korean or Italian here; the link takes you to the writer's own words.

I am not trying to be complete. I am trying to notice.

— Mio Tachibana, Tokyo

← Uchi Archive

The World of Interiors

‘Objects and Us’ argues that craft is a human need

October 1

In Objects and Us, V&A East director Gus Casely-Hayford makes a compelling case for the necessity of craft, declaring it a human need much like food, sleep and…

Craft & handmade Bookshop Culture

Read at The World of Interiors ↗

One letter a week, in your inbox.

Latest

‘Objects and Us’ argues that craft is a human need

Related

The heritage craft industry is on the floor The World of Interiors

Japan陶芸家フランチェスカ・アンフォッシが家族とつくり上げた、テラゾーが輝くロンドンのキッチン Elle Decor Japan

Curved Forms and Custom Joinery in a Chic Amsterdam Townhouse The Nordroom

SingaporeIn Good Company x Woof Living Pop-Up Lands in Joo Chiat (Until 4 Oct) Home & Decor

JapanAZUMA FARM Koiwai, a Private Forest Sauna Crafted for the Art of Bathing Pen

Lanerossi, the textile tradition looks to the contemporary Interni