A room is a decision about how you want to be tired at the end of the day.

I live in forty-eight square metres in Tokyo with one good chair and far too many bowls, so I have had to mean that. I trained as an architect and left to write, which my teachers took badly. Uchi (内) means inside, and it means home: the room you come back to. The palette comes after the tiredness. So does the name on the lamp.

This is where I keep what the world's rooms are doing. Around seventy sources, read in Japanese, Korean, Chinese, Vietnamese, Italian, French and English: an apartment in Seoul, a house outside Taipei, a Copenhagen showroom seen from here rather than from Denmark. East first, because east is where I am sitting.

Each story is a headline, an excerpt of a few lines, one photograph and a link to whoever did the work. We never reprint the piece, and the photograph belongs to the person who took it. When a room was written up in Korean or Italian it stays in Korean or Italian here; the link takes you to the writer's own words.

I am not trying to be complete. I am trying to notice.

— Mio Tachibana, Tokyo

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Tašbik 装置 / Wesam Al Asali

10.20

Tašbik 是一个为 2026 年安曼设计周（Amman Design Week 2026）阶梯公开课庭院（Al Mudarraj）量身定制的特定场域建筑装置。该项目由建筑师、IE建筑与设计学院（IE University）教授、IWlab 联合创始人兼设计与创新总监，以及西班牙巴伦西亚“手艺建造再生教育中心”（CERCAA）创始人 Wesam Al Asali 设计。

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